It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式析、图像学和情境析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由成，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学和境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式、图像学和境三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章成，试图从形式分析、图像学分析三个维度对西艺术史学史进行建。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形、图像学和情境三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图情境分析三个维度对西艺术史史进行建构。